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By tafkass | July 14, 2010 - 7:30 am - Posted in Uncategorized

(Thanks to legendary contributor and FIFA Golden Balls winner Pal Pito for this one.)

Listen very carefully - you will win it only once…. Spain manager Vicente del Bosque:

bosque.jpg

… and inexplicably-attractive-to-women hero of the resistance, Rene Artois…

rene.jpg

By tafkass | July 1, 2010 - 8:00 am - Posted in Uncategorized

All work and no play makes Belgian tennis star Xavier Malisse look a little bit like Jack Nicholson…

malisse_07_newhead.jpg

jack-nicholson.jpg

By tafkass | May 15, 2010 - 8:42 pm - Posted in Ha flipping ha., Lookey-likeys, Uncategorized

A tribute lookey-likey to our glorious departed leader, and a clarion call to his probable replacement. Poor old Gordo - like an obsessive oral foot fetishist, all he ever seemed to do was taste defeat. Still, at least when Peter Mandelson pushed his secret “smile” button, he could manage a passable impersonation of Phil Daniels (you’ll have to Phil in the missing person in the lookey-likey, as I can’t find a photo of him, erm, looking like Gordon Brown - but trust me, when El Gordo pretends to be vaguely contented, there’s a striking similarity. No, honestly. Damon Allbran knows what I’m talking about.)

Gordy B

As for the next Labour leader - I’m sure he’s hoping that he can make it beyond the politico-metaphorical semi-finals…

milli-hen.jpg

(If only Ed Milliband looked like Pete Sampras, he’d be a shoo-in to kick David’s arse.)

By tafkass | April 23, 2010 - 9:37 pm - Posted in Music, Taf's Tune of the Day, Uncategorized

Crivvens! A new TTOTDOWOHOHCBATCI - and it hasn’t even been a full month yet! Anyone would think that I was sitting at home on a Friday night with nothing to do and no prospect of entertainment apart from watching fifth-time-repeated back-to-back episodes of “Mock the Week” on Dave (or the snooker*.)

Ahhh, but summer is looming, my sap is rising, and I’m once again breaking out my Kula Shaker collection for sun-kissed top-down bucolic in-car listening. Please be stifling that giggle; Kula Shaker were a seriously good band. Part of the second (or maybe third) wave of Britpop in the mid ’90s, they were breathtakingly exciting live, with an extremely tight and talented band playing classic rock riffs under the trademark roar of lead vocalist Crispian Mills - imagine a cross between Led Zeppelin and Pink Floyd, with a soupcon of “All Things Must Pass”-era George Harrison thrown in. Ultimately, though, they were stymied by a) the “Indian mysticism” theme running through their music and lyrics, which became something of an albatross around their collective necks, and relegated them in the minds of many to “Darkness” novelty stakes, b) a lot of inverse snobbery surrounding Mills (son of actress Hayley and from an undoubtedly very privileged background) and c) a fairly vicious right-on press campaign following some ill-judged comments from Mills about swastikas. Although that sort of thing never worried Bowie.

This offering, “Govinda”, is one of many outstanding tracks from their debut oeuvre “K”. The album sold by the bucket-load, so you can undoubtedly pick up a copy on Amazon for 1p - and it’s a worthwhile investment, despite having possibly the worst cover art since Whitesnake’s “Love Hunter”. Note a) the rock-tabulous beginning and ending, and b) the fact that, rather cleverly, the song SUGGESTS the major third in the 1-3-5 triad of the main chord, but (apart from in the vocal part) only uses it very sparingly, and indeed repeatedly teases us with the MINOR third. (Riveting, eh?)

(* - Don’t worry, things haven’t got THAT bad yet…)

By tafkass | April 14, 2010 - 4:26 pm - Posted in Shit\'s Insults & Faux-Pas, Sport and that, Uncategorized

It’s been a while since the last serious social faux-pas, but like the proverbial London buses, three (at least) came along and ran me over all at once last Friday.

I was playing a doubles match in the annual tournaments at my local squash club for the first time, having entered myself on the back of a run of good results. I’d previously (wisely) confined myself to playing squash with close friends, who were familiar with the fact that my charmingly folksy Mediterranean shouty gesticulatorama dummy-spitting implement-breaking on-court demeanour was emblematic of my unique emotionally-demonstrative patchwork personality, rather than, say, of me being a dickhead.

The evening started badly; I turned up 10 minutes late; not entirely my fault, as I’d been held up at a 3-hour monthly meeting of the Maintenance Administration Committee of the block of flats where I own a rental property. (Imagine how boring that meeting sounds, then magnify it by a factor equivalent to the disparity between N-Dubz’ fame and their talent, and you’ll get close to how dull it actually was. Just when I thought the meeting had finished - on 2 hrs 20 mins, which would in itself have been the longest meeting ever - an old fella piped up with a dispute about an old insurance claim, which had occurred before I even bought my flat. The upshot was that the managing agent promised to look into it, but would need to dig out the relevant paperwork, and I SWEAR that the last TWENTY minutes of the discussion - all of which took place whilst I was desperate for a piss as well as to depart - consisted entirely of “Well, you know, I’m really not happy - I want this sorted as soon as possible”. “OK, we’ll dig out the paperwork and look into it”. “Well, as long as you do, because I really don’t think this is being handled correctly”. “No, I understand - we’ll get the file out and report back next month”. “Right, as long as you make sure this is investigated properly, because I’m very…” etc etc etc etc. Etc.)

(Yawn…) oh, sorry, where was I? Oh yes, 10 minutes late for squash. In the normal run of things, you’d think that this wasn’t a blue-whale-sized deal; yet I turned up to a sea of faces stonier than Cheech and Chong put together; for it seems that a) doubles matches tend to go on for longer than the normal 40-minute allotted period, and b) the whole evening was booked up with doubles matches - mine, and then 7 others. Thus my late arrival had inconvenienced everyone playing after us - 28 separate individuals, their extended families and probably entire circles of close friends, extending outwards to 3 or 4 degrees of separation… in fact, I’m half-expecting to see “Inconsiderate Squash Bastard Ruins Friday” as the headline in this week’s installment of your super soaraway Kentish Express.

On to the game itself; I was playing with a guy of around 40 against an older man and a woman of 35 or so with a heavily bandaged knee. Having never before played doubles, I was instructed to call a let (whereby the point is replayed) if I was in any danger at all of banging into anyone - however, keen no doubt to make up as much time as possible to atone for my late arrival, I ignored this advice and proceeded to run into / knock to the ground said partially injured woman FIVE times during the course of play. She didn’t seem to mind. Much. The first couple of times, at least. My physically intimidating approach paid off as we raced into a 2-1 lead - then, however, on surrendering a 6-point advantage in game 4 and losing the game with a poor shot, I launched into my trademark battle-cry of “OH, for FUCK’S sake!” - only to look up at the viewing gallery and see the young families of both my partner and knee-woman staring at me, kids borderline quizzical / frightened, adults ashen-faced; cue appropriate self-abasement. The deciding game was a close one; we held the lead and match point at 14-13, and my serve (directed deliberately straight at knee-woman’s patella, obviously) had the opposition in trouble - my partner was set up for an easy put-away… which he proceeded to dunk into the “foul” area at the bottom of the wall. We (or rather I) then lost the next two points as well, and that was that. Well, nearly. The last point over, the now-dead ball rolled to my feet, and in a fit of pique, I took a frustrated swing, miscued completely - and looked up to see the ball whizzing at 90mph straight into the bowlarks of my startled partner. Cue tuts from the gallery and a sotto-voce chorus of “that’s really not on” / “what a bad loser” etc. A massively suppliant round of “sorry”s to anyone who would make eye contact with me didn’t seem to do the trick, as I was roundly ignored in the bar when drinks were being taken afterwards. And as I write this, there’s a mysterious and unexpected “call me back” message from the club’s membership secretary on my phone…

Still, it’s the taking part that counts.

By tafkass | April 10, 2010 - 8:49 pm - Posted in Uncategorized

I’m currently listing a Greek copy of the Bee Gees’ 1975 LP “Main Course” on eBay, and for track 2 “Jive Talkin’” I mistakenly typed “Jove Talkin’”. Which would be quite amusing* in a Greek deity kinda way, were it not for the fact that “Jove” is the Roman name for the main Greek god.

(* - and the fact that it’s not really actually very amusing.)

By tafkass | February 25, 2010 - 4:01 pm - Posted in Uncategorized

A (yet again long overdue; mind you, until last week’s tame effort, I don’t think I’d changed the poll at all in 2010) new TTOTDOWOHOHCBATCI for y’all; a cover of Hank Williams’ country staple “Jambalaya” by The Carpenters.

Synonymous for many with saccharine over-produced mawkishness, I actually love the Carpenters - admittedly they sometimes crossed the line into barf-o-rama territory (e.g. their horrible cover of “Ticket to Ride”), but their best stuff is brilliant. I’ll even go so far as to say that Karen Carpenter had one of the finest voices of any female singer in popular music ever, and I’m including all yer Franklins / Fitzgeralds / other soul / jazz divas in that assessment (John Lennon apparently agreed with me). It’s a fantastically pure yet rounded sound; never forced, always completely natural-sounding through an impressive 3 octave range (Mariah Carey allegedly has 6 octaves, but the top bit of that is audible only to bats and the rest is only useful for dispersing teenagers). Carpenter’s vocal skill was all the more impressive for the fact that she was initially a (very good) drummer by trade, and only left the drum stool to stand behind the mic 6 or 7 years into her musical career.

I actually find it difficult to listen to some of their stuff (e.g. “Yesterday Once More”, “Goodbye to Love”) without getting a significant lump in my throat - this is partly because I’m susceptible to what others might describe as schmaltz when it’s of the highest quality, and partly because of the tragic circumstances of Karen’s death, but mostly because of her utterly wonderful voice.

“Jambalaya” is hardly a tearjerker though; it’s good harmless fun. Infectious rhymes, semi-incomprehensible lyrics (unless you happen to be rattlin’ my Cajun), slick production which presages a lot of modern country-rock crossover stuff, and some excellent harmonies, mostly in sixths (my favourite interval). Old timers’ cheesy listening perhaps, but then I AM nearly 40…

Oooooh, it’s a tough choice this week; is it…

a) Atrocious leather-kicking multi-millionaire chav thug with the IQ of a rock sleeps with money-hungry tart allowing the tabloids to manipulate half the country into paroxysms of hypocritical moral outrage?

b)  Ghastly barking transsexual-looking she-chav with huge lumps of silly putty bizarrely sewn into her skin cynically marries money-hungry lunk-head to gain maximum publicity for her ex-husband business partner who just happens to be releasing a book on the same day?

Or is it…

c) Evil manipulative bastard with weird centre-parting singlehandedly responsible for the death of music figures out that a neat way to increase his public standing and get some lovely free(ish) publicity for him, Beryl Coles and his other “star” proteges, would be to subject everyone to a shit-ridden saccharine version of a lyrically-inappropriate REM song about suicide which, having previously had a serviceable melody, is now punctuated by said celebri-twats trying to outdo each other by fitting in as many unnecessary extra notes as possible, climaxing with Mariah “I’m pretending I” Care-y bracing herself, gurning and yodelling “Eeeeoooowwwweeveryyyboooowooodyyy Huaaaaoooooeeeeeuuurrrts” at the top of her incredibly fucking annoying squeaky voice.

Fairly evidently, it’s a) and b) - I give quite a big shit about c) - any high-profile “charidee” single always gets me contemplating. Whilst the bottom line is that the money raised will do some good on the ground in Haiti, it’s arguable that the publicity garnered by Cowell and his acolytes in aid of the furtherance of their crappy careers is worth far, far more (to them alone, obviously. Because I can’t see Cowell giving any of the nicely-boosted profits from his subsequent single - which will reportedly be a reworking of “The Girl is Mine” performed by SuBo and the reanimated corpse of Michael Jackson* - to charities in Haiti or anywhere else.)

Furthermore, the showbizification of disaster-relief is such a well-worn path now that it risks beguiling people into the mistaken belief that they just need to buy the single and everything’ll be OK. TM envisaged the typical consumer’s purchasing decision process thus** -

“I’m feeling beneficent today … I know, I’ll buy that Cowell / REM song from iTunes to help the people in Haiti…. ooh, look The Hills … OMG I can’t believe Heidi said that to LC … and hello! - when is she going to get rid of Spencer? Sorry, where was I? Oh yeah, Haiti. It’s, like, terrible what’s happened out there and stuff?… maybe I should assuage the nascent sense of guilt that I think I should be feeling… but how? Oh yeah! The Cowell single … click click, done - that should make everything OK. Now where’s the remote, I LOVE The Hills…”

So personally, I won’t be buying “Everybody Hurts”. I may or may not give some money via another conduit, but I figure that if my elected representatives have £20 billion of my money to spunk on Trident and another £5 billion to jazz-wank on a ludicrous idea like identity cards (next to a mere £20 million so far allocated to Haiti), my efforts would probably be better spent lobbying them to up the foreign aid budget (although I’ll almost certainly end up not doing that either).

Still, better callous than Cowell-ous.

(* - No it won’t.)
(** - Quite possibly whilst watching “The Hills”.)

By tafkass | December 9, 2009 - 9:31 am - Posted in Uncategorized

eBay really is a great environment for the buyer these days; high seller customer service standards are enforced much more rigorously, sellers can no longer leave negative feedback and, best of all, in October this year, eBay introduced seller-paid postage in the “media” categories (books, CDs, vinyl, DVDs etc) in order to compete with sites like Play.com and Amazon.

All of which means that you should be able to understand why I occasionally tear my hair out when I get an e-mail like the one I received at 10.27 last night. Buyer “mrstyles101″ sent me the following message -

“Hi
If you wanna let this go for any cheaper, I’ll take it.
Let me know
Thanks”

The price of the record in question? £4.19.

Already reduced in my pre-Christmas sale by 30%.

With free postage costing me £2.50 plus the cost of packaging materials, not to mention the 15% I pay to eBay and Paypal.

FACKING unbelievable.

By tafkass | November 23, 2009 - 11:16 pm - Posted in Uncategorized

- “Granny, what would you like for Christmas?”
- “Hmmm… let me think… well, what I’d really like is an album of incredibly well-known songs, all of which have been already covered more times than Shergar’s mum, each arranged in an identically slow and mawkish manner to suit the astonishingly one-dimensional vocal timbre of a woman who looks like she was a member of the 1984 East German shot-put team.”

Yes, the long-awaited Susan Boyle album is out today. I haven’t yet seen the cover, but I can guarantee you that, by the middle of next summer’s car boot sale season, the artwork will be more familiar to me than the lines on my own time- / age- / Simon-Cowell’s-endless-stream-of-lowest-common-denominator-shite-worn face.